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ARTISTS DIRECTORY - ANNUAIRE des ARTISTES
UNITED KINGDOM - ROYAUME UNI




click artist's name


Laura J ANTEBI
sculptor

The Wire Studio
Scotland
Telephone : 0795 276 0153
E-mail: thewirestudio@hotmail.com


Damien HIRST
installations

London (UK)


Barbara MEYNELL
textile art

Moreton
Wirral
Merseyside, UK
Telephone 0770 381 3331
E-mail: barbara@scenicsilks.co.uk



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Stitched Textile Collage
Innovative Designs for Textured Surfaces
by Lucille Toumi

This book contains thirty creative textile projects that are suitable to be hung and framed. The book aims to inspire readers to look at the use of textiles as a medium for creating innovative graphic artwork. The projects combine applique with patching, surface embellishment (with buttons, beads, trimmings and wire), knitting and machine- and hand-embroidery techniques. The projects range from the very easy to those that will prove a bit more of a challenge. The book is filled with photos showing how different effects can be achieved. There are also suggestions on how to modify the projects in order to personalise them. Also included are discussions of materials, equipment and techniques which the maker will find useful. All in all, this is a book filled with imaginative projects which will work both as a source of inspiration and information.


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The Story of Art
by E.H. Gombrich

This text is the 16th revised and updated edition of this introduction to art, from the earliest cave paintings to experimental art. Eight new artists from the modern period have been introduced. They are: Corot, Kollwitz, Nolde, de Chirico, Brancussi, Magritte, Nicolson and Morandi. A sequence of new "endings" have been added, and the captions are now fuller, including the medium and dimension of the works illustrated. Six fold-outs present selected large-scale works. They are: Van Eyck's "Ghent Altarpiece", Leonardo's "Last Supper", Botticelli's "Birth of Venus", Jackson Pollock's "One (Number 31, 1950)", Van der Weyden's "Descent from the Cross" and Michelangelo's Sistine Chapel ceiling.


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Re-object: Marccel Duchamp, Damien Hirst, Jeff Koons, Gerhard Merz
by Sebastian Egenhofer John Gray, Herbert Molderings


This study of key moments in the history of ready-made and object-based art features Damien Hirst, Gerhard Merz, Jeff Koons and their shared historical point of reference, Marcel Duchamp. Recently a poll of 500 British critics called Duchamp's 1917 Fountain the most influential Modern artwork ever created. Even more recently, a man assaulted it with a hammer at the Centre Pompidou, confirming that, nearly a century later, emotions are still running high. Object-based art, which grew into a major 20th century trend and continues today, took its cue from the ready-made. "Re-Object" explores the continuation and transformation of both lines in contemporary artistic practice via large-format photographs and analytical essays on the artists.

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Victorian Painters: The Text
(Dictionary of British Art)
by Christopher Wood


The first edition of "The Dictionary of Victorian Painters" was published in 1971 and contained details of 1,800 artists together with 250 illustrations. It became an accepted textbook on Victorian artists and was reprinted four times until a second, revised and much enlarged edition with 11,000 entries and 550 illustrations appeared in 1978. "The Dictionary" is now revised in two volumes, each complementary to one another yet entirely independent works, depending on the particular interest of the reader. This volume contains over 11,000 entries, which have been revised and updated where appropriate to reflect recent research, as well as much additional material. In many cases the entries are treated as short essays and contain details of exhibitions and gallery viewings of artists' works. Every attempt has been made to make this edition a comprehensive one by listing every artist recorded during the period 1837-1901, even those who only exhibited one work. Research has been carried out into all available printed sources as well as saleroom and dealers' catalogues.

Much of the information given is not to be found in any other works and "The Dictionary" is, therefore, an important source of reference for all with an interest in or who are concerned with art of the Victorian period.


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